| |
Some
of you may known that i just took a couple of classes in acrylic painting.
I did a lot of playing around and experimenting, so there's a wide
variety if styles here. I'm gonna break them up into a couple of pages,
so loading images won't kill anyone too much.
|
|
The first real thing i did in my evening class, although i finished it
in my day class, which had a better selection of colours, although looking
at it now, it's still not the colours i want. My original colour scheme
fell apart. Anyway, i still think it worked out alright. On canvas, 10"
x 8". |
|
The first real thing i did in the day class, of part of the classroom.
It's got a ultramarine underpainting - ultramarine is much cooler wet
than dry, although it's actually loooking good here. Dar wants to buy
this piece. Not my baby! On pressboard, 11" x 14".
|
|
An exercise on paper, which is why it's warped looking - i tried taping
it down, but it didn't work out. The main image is fine. I was annoyed
by the process, because the teacher didn't explain what we were doing
to start (she'd covered the fish first, as a lesson in blocking). Anyway,
unlike the other students, i achieved some three-dimensionality. On
cardboard, 16.5" x 12.5".
|
|
This started out as a still life, with the main focus being this fuzzy
neon coloured plush bunny. But i totally lost the plot, and felt i was
wasting paint. I used up my paints to darken everything except the rabbit.
The teacher later coloured the background darker, and was going to use
it as an example of a way out, but she never got around to it. One day,
it will be covered over with another painting. On gessoed masonite board,
24" x 24". |
|
|
I
attacked the still life from another angle, and did a much better job
of it, although it's still not something i really like. Obviously i'm
attracted to bright colours, and angles. The perspective in this is wacky
- for one thing, i was looking down on it. I was starting to get some
sense of folds in cloth going on. On gessoed masonite board, 24"
x 24". |